My first novel, written as a respite from working on my dissertation, took me five years to write. My second novel took seven years to write. Using fast drafting, my third novel took one month.
Fast drafting is the writing process in which you throw out everything you’ve learned about good writing and just write whatever crazy, horrible, wonderful thoughts come spilling out of your head. You don’t stop to do research. You don’t stop to reread. You don’t stop to go back and fix something. You just write. But the question is: How do you know what to write and not end up with a mishmash?
I don’t think that I would have been as successful in my first NaNoWri if I hadn’t written the two slow pokes first. I learned a lot about writing between them and all the writing courses I took during those years. For one thing I learned how to plot.
My first two novels are what I would call meandering. Since they were historical fiction, I got buried in the research. I got enamored with writing beautiful settings and long sections of internal thought full of metaphors and literary references. Many chapters existed only to share some of that incredible information I uncovered or to weave in a particular place or quote. Originally these novels topped out at 170,000 words or there about.
Fast Drafting Plot Planning: Stage One ACTION
Now I know that the action must come first. Forget setting. Forget angst. I write a bare-bones sloppy synopsis or what I call a fairy tale version of my novel. I imagine I am sitting around a campfire and making up a fairy tale to entertain a group of antsy kids in the format of first this happened and then that happened and then this and that until bang there’s a horrible villain and a catastrophe and oops a terrible choice that leads to a heroic deed and then an ending – a happy one, of course. I write romance.
Why does this work? The structure of fairy tales is believed by many researchers to be hardwired into our psyches. At least in my case, I know this is true as I grew up on a steady diet of fairy tales, especially Grimms. For a more professional take on this: the this and that and thens are called plot points and there are a ton of wonderful websites and books explaining them. Check out Larry Brook’s StoryFix website, for helpful examples of plot points and story structure, or take Carol Hughes workshop Deep Story I offered this coming April.
Next I take that synopsis, paste into my NaNoWri draft document, and put line breaks between the sentences and label them ACTION. Here is an example from my NaNo draft
Fast Drafting Plot Planning: Stage Two GMC
I head each sentence with the word CHAPTER. I identify a possible setting and the POV character. Then the POV character’s goal(s) for that chapter, his or her motivation for achieving that goal, and what’s going to prevent or hinder the character from achieving that goal. Debra Dixon is my resource for this. Here is my GMC from the same chapter:
Fast Drafting Plot Planning: Stage Three Dilemma
I can’t remember what course I took that made me realize how important the dilemma is in plotting. The dilemma is the hard choice the POV character has to make by the end of the chapter to obtain the goal or at least get closer to it. A dilemma is stated as an either/or choice. It often becomes the hook that leads into the next chapter, especially if the choice is really dangerous or the wrong one. If you have great dilemmas for each chapter, the story will write itself. From the same chapter:
Fast Drafting Plot Planning: Stage Four: Make it Simple
Now here’s the way to put this all together so you can sit down and fast draft. I happen to use Word so I make the CHAPTER ACTION SETTING POV info a Heading 1, and the GMC + D a Heading 2. Now all I have to do is open the FIND Navigation box and there it is – an outline of my novel. This way I can keep the plot right in front of me as I write. I can see where I have been and where I am going.